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	<title>www.literaryagenda.com &#187; North America</title>
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		<title>The Real Gaze: Film Theory After Lacan</title>
		<link>http://www.literaryagenda.com/the-real-gaze-film-theory-after-lacan/</link>
		<comments>http://www.literaryagenda.com/the-real-gaze-film-theory-after-lacan/#comments</comments>
		<pubDate>Wed, 25 Jun 2008 07:34:48 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[North America]]></category>
		<category><![CDATA[Opinions]]></category>
		<category><![CDATA[United States]]></category>
		<category><![CDATA[Film Theory After Lacan]]></category>
		<category><![CDATA[The Real Gaze]]></category>
		<category><![CDATA[Todd McGowan]]></category>

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		<description><![CDATA[Here the author develops a psychoanalytic theory of the movie, which took the movie as a starting point. Avoids telling about historical context of film production as well as it`s reception. When McGowan says about the audience he doesn&#8217;t mean the empirical spectator, but the one which is expected by movie text himself. Of course [...]]]></description>
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		<title>All the happy families &#8211; Carlos Fuentes</title>
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		<comments>http://www.literaryagenda.com/all-the-happy-families-carlos-fuentes/#comments</comments>
		<pubDate>Tue, 20 May 2008 08:16:43 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
				<category><![CDATA[Mexican]]></category>
		<category><![CDATA[North America]]></category>
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		<category><![CDATA[All the happy families]]></category>
		<category><![CDATA[Carlos Fuentes]]></category>

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		<description><![CDATA[Master of Spanish literature who will celebrate this year 80th birthday, finally decided to do this, what every decent writer thinks of – pertain to the first sentence from Lew Tolstoy`s “Anna Karenina” and develop it on his own way. Tolstoy starts with the statement that: “All the happy families are similar, every unhappy family [...]]]></description>
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		<title>Third World, Carlos Fuentes</title>
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		<comments>http://www.literaryagenda.com/third-world-carlos-fuentes/#comments</comments>
		<pubDate>Tue, 08 Apr 2008 07:50:24 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
				<category><![CDATA[Mexican]]></category>
		<category><![CDATA[North America]]></category>
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		<category><![CDATA[Carlos Fuentes]]></category>
		<category><![CDATA[Mexican Literature]]></category>
		<category><![CDATA[North American Literature]]></category>
		<category><![CDATA[Third World]]></category>

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		<description><![CDATA[Carlos Fuentes, one of the most famous Spanish-American writers, today almost 80 years old, dislikes George W. Bush, takes part in political debates and promises that when American presidency campaign will rich the hottest phase, he will start writing political essays against Republicans. Reason? They are bad for the world. Bush’s time has to be [...]]]></description>
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		<title>On the Road, Jack Kerouac</title>
		<link>http://www.literaryagenda.com/on-the-road-jack-kerouac/</link>
		<comments>http://www.literaryagenda.com/on-the-road-jack-kerouac/#comments</comments>
		<pubDate>Mon, 17 Mar 2008 07:37:00 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
				<category><![CDATA[North America]]></category>
		<category><![CDATA[Opinions]]></category>
		<category><![CDATA[Jack Kerouac]]></category>
		<category><![CDATA[North American Literature]]></category>
		<category><![CDATA[On the Road]]></category>

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		<description><![CDATA[The first person who reviewed Jack Kerouac’s novel was Gilbert Millstein – his review appeared in New York Times 4th September 1957 and he had written: “On the Road” is the second novel by Kerouac and its publication is a historic occasion insofar as the exposure of an authentic work of art is of any [...]]]></description>
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