Gary Shteyngart – Absurdistan
May 30, 2008
This edition starts with three pages of appraisals. Additionally, both the front and the back covers are filled with similar quotes from Time, New York Times, Entertainment Weekly, Wall Street Journal, Publishers Weekly, you name it. I hope everybody can do like me and cunningly skip all these and dive into the book itself.
The synopsis is surely intriguing and whoever gets a glimpse of it would like to know more, ending up by picking the book off the shelf and throwing it in the basket case.
It’s all about the humor and, whether it is terribly dark, burlesque, satiric or ironic, Gary succeeds in putting together a storytelling that will keep your fingers turning the pages until you realize you reached the end. Obviously this won’t actually happen, but you get the idea. It’s catchy, funny, witty, and while I personally think it has its flaws, it all glues together quite nicely. The kind of a best selling book that is pretty good, despite its commercial success. Sometimes there are too many divagations, too many metaphors, too many descriptive scenes. The momentum is somehow pushed and pulled sideways, cause there’s drama and subtle existentialist issues inside as well, which are not always welcome. But if your critic eye is not in a bad mood that day, you’ll just enjoy the reading and fall in love – or at least sympathize, c’mon – with the central character. And that will do.
Red Love, by Alexandra Kollontai
May 27, 2008
VULPES LIBRIS: There are so many myths and half-truths surrounding the name of Alexandra Kollontai that, rather than write a plain old biographical sketch, I’m going to give you a quiz instead.
Suicide Foiled by Nuclear War
May 23, 2008
Tomer Hanuka and the Classics
May 22, 2008
Jim Boyd on When the Press Fails
May 21, 2008
The other N word
May 20, 2008
A DIFFERENT STRIPE: Lawrence Hill writes in today's Guardian book blog about why the title of his Commonwealth Prize–winning historical novel, The Book of Negroes , was changed by its American publisher to Someone Knows My Name.
All the happy families – Carlos Fuentes
May 20, 2008
Master of Spanish literature who will celebrate this year 80th birthday, finally decided to do this, what every decent writer thinks of – pertain to the first sentence from Lew Tolstoy`s “Anna Karenina” and develop it on his own way. Tolstoy starts with the statement that: “All the happy families are similar, every unhappy family is unhappy in its own way.” This sentence opens for the writer many new doors and gives plenty of possibilities.
Fuentes did realize it very well, that`s why he wrote sixteen different stories of different families and divided them with choirs which sound and look like poems written by American representatives of Big-Beat generation.
After lecture, putting all the plots and pieces together – it requires from the reader plenty of attention and it`s not so easy – we are given a picture of Mexican society torn apart. A society convincingly different from the one we already know from other charming novel “Summer with Laura Diaz”.
“Violence, violence” are last words of the book, dangerously coexisting with Tolstoy`s sentence. When family falls apart, everything falls apart.
Summarized by Fusinha
Press Release: Cohen, Gilfoyle, and Horowitz, The Flash Press
May 15, 2008
Frey Lives On
May 14, 2008
The Millions breaks it down
May 13, 2008
THE MILLIONS: Max’s recent post cataloging 13 years of Anglo-American “Prizewinners” got me wondering… what were the most decorated books in foreign-language fiction during the same period?

